– How To Quickly Create Drop Shadows with Photoshop CC

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Separate a Drop Shadow from a Layer? – How Do I Do That in Photoshop? [Book] – What’s New in Adobe Illustrator CC 2021

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Table of Contents. We use cookies to make wikiHow great. By using our site, you agree to our cookie policy. Cookie Settings. Learn why people trust wikiHow. Download Article Explore this Article Steps. Related Articles. Author Info Last Updated: August 6, Open a file that has a drop shadow on a graphic and text layer. Collapse layer to see the existing layers within it, carry out this command also by clicking on the small triangle on your layers panel. The next step is to select first your text layer.

Select the text layer and click on your appearance panel. By selecting your text layer and clicking on your appearance panel, you have now seen the appearance attributes of that layer such as if it has a fill, stroke, set transparency or an effect. In this case a drop shadow, select then the drop shadow layer and drag it to the trash can icon.

Now we move on to the graphic that has a drop shadow. Select the graphic or layer that has the drop shadow. On the accompanied illustration and example the red circle has the drop shadow only and not the muffin graphic.

Select the red circle and click again your appearance panel. On your appearance panel select the drop shadow layer and drag it to your trash can icon. Include your email address to get a message when this question is answered. Submit a Tip All tip submissions are carefully reviewed before being published. Related wikiHows How to. How to. Co-authors: 4.

 
 

 

How to make long shadows in Adobe Illustrator CC | Bring Your Own Laptop.

 

We got two versions of it now. I’m in Wireframe Mode. I’m going to go back up, ‘Command Y’. I’m just going to repeat that. The shortcut is ‘Command D’. The long way is somewhere, there it is, ‘Transform Again’. So just do that thing I just did again, you can see, it just slipped it out.

You’ll see that there’s a little bit of an edge on it. So if you want there to be less edge there’s just no way around other than drawing it to get an edge. Now what you can do is, we did ‘Transform Each’.

We did 1pt, you can do 0. The only trouble is that it’s going to take a while. I’ll show you what I mean. I’m holding that key down, and it’s even taking a while. I’ll get the editor to speed it up. All right, didn’t take that long, but long enough. So that’s our shadow, right? I’m going to grab this. I’ll show you how to fix it up, but this is basically what we do. You do them in small increments if you’ve got the time and you’re more worried about the edge.

I’m probably worried about it enough to maybe turn it down to half a point. Next thing we want to do is probably trim it all up because at the moment it’s– if I go to ‘Command Y’ it’s a bit of a mess in terms of its vector. So what I’ll do is, grab this, undo him, you go back to where you were, just join this all up. We’ve been using the Shape Builder Tool throughout this course.

If you click on the Shape Builder Tool now, it’s going to have a seizure. It just doesn’t like so many shapes. So we’re going to use the more traditional Path Finder. If you can’t see it over here, you got to select all of this with the ‘Black Arrow’, you go to ‘Window’, ‘Path Finder’.

I’m going to click on this first option, ‘Unite’. It’s still going to take a while. Not as long as Path Finder. And if you’ve got more, say you’ve done 0. Go get a coffee. Oh yes, let’s speed this up. Need to speed that up. Other thing I might do is, I’m going to grab this, grab my ‘Rectangle Tool’. Drag it out so it matches the Place Board. And I’m going to delete that chunk, that chunk, and that chunk, and just kind of make it look a little nicer.

I drew a bad rectangle, but you get the idea, right? Send him to the back. That one was with the hard shadow, let’s do a soft shadow.

We’ll look at Blending Modes. We’re going to kind of just touch on Blending Modes now. We’re going to look at Blending Modes in its full entirety in another section in this course, but for the moment let’s do it for the shadows. I’m going to make a copy of this guy down the bottom here.

Copy, even. Holding ‘Alt’ while I’m dragging it. There’s a couple of things I need to do. I need to change the color of both of these, then group them before I start moving on. So first of all I want to grab my Eye Dropper Tool. The background color, I want it to be a slightly darker version, right?

I’m going to now hold down ‘Alt’ key on a PC, or ‘Option’ key on a Mac, and drag this second version. But I want him to actually be the exact background color. So it’s not going to really fade out with opacity, that doesn’t work. We need to just match the background color. So next step is– I got them the right colors, but they need to be groups. So they’re all separate, so I need to go, you my friend, is a group. The other thing is that this guy needs to be at the front because it’s going to be heading backwards.

At the moment he’s the second guy that got made. So he’s at the front, and it looks a bit weird. So, you my friend, ‘Arrange’, ‘Bring to Front’. So they’re grouped, the right colors, and they’re in the right order. Now we just blend them. So under ‘Object’, we go to ‘Blend’, we say ‘Make’. By default, you’re just getting one guy in the middle. You need to increase that blend. So we’re going to go to ‘Object’, ‘Blend’, and we’re going to go to ‘Blending Options’. In here, I’m going to go to ‘Specified Steps’.

You can see, I’m using the ‘HSB’. I find them easier to use, just going to make it a little darker. Next thing we’re going to do is move it down a little bit. So we’re going to go to ‘Object’, ‘Transform’, ‘Transform Each’. This means I can move it down 1 pixel, across 1 pixel. This means it’s going to go to the right, and down. You can go negative 1, ‘-1’, and negative up, and it will go up and left.

So do that, click on ‘Copy’. We got two versions of it now. I’m in Wireframe Mode. I’m going to go back up, ‘Command Y’. I’m just going to repeat that. The shortcut is ‘Command D’. The long way is somewhere, there it is, ‘Transform Again’. So just do that thing I just did again, you can see, it just slipped it out. You’ll see that there’s a little bit of an edge on it. So if you want there to be less edge there’s just no way around other than drawing it to get an edge.

Now what you can do is, we did ‘Transform Each’. We did 1pt, you can do 0. The only trouble is that it’s going to take a while. I’ll show you what I mean. I’m holding that key down, and it’s even taking a while. I’ll get the editor to speed it up. All right, didn’t take that long, but long enough. So that’s our shadow, right? I’m going to grab this. I’ll show you how to fix it up, but this is basically what we do.

You do them in small increments if you’ve got the time and you’re more worried about the edge. I’m probably worried about it enough to maybe turn it down to half a point. Next thing we want to do is probably trim it all up because at the moment it’s– if I go to ‘Command Y’ it’s a bit of a mess in terms of its vector.

So what I’ll do is, grab this, undo him, you go back to where you were, just join this all up. We’ve been using the Shape Builder Tool throughout this course. If you click on the Shape Builder Tool now, it’s going to have a seizure.

It just doesn’t like so many shapes. So we’re going to use the more traditional Path Finder. If you can’t see it over here, you got to select all of this with the ‘Black Arrow’, you go to ‘Window’, ‘Path Finder’. I’m going to click on this first option, ‘Unite’. It’s still going to take a while. Not as long as Path Finder. And if you’ve got more, say you’ve done 0. Go get a coffee. Oh yes, let’s speed this up. Need to speed that up. Other thing I might do is, I’m going to grab this, grab my ‘Rectangle Tool’.

Drag it out so it matches the Place Board. And I’m going to delete that chunk, that chunk, and that chunk, and just kind of make it look a little nicer. I drew a bad rectangle, but you get the idea, right? Send him to the back. That one was with the hard shadow, let’s do a soft shadow. We’ll look at Blending Modes. We’re going to kind of just touch on Blending Modes now.

We’re going to look at Blending Modes in its full entirety in another section in this course, but for the moment let’s do it for the shadows.

I’m going to make a copy of this guy down the bottom here. Copy, even. Holding ‘Alt’ while I’m dragging it. There’s a couple of things I need to do. I need to change the color of both of these, then group them before I start moving on. So first of all I want to grab my Eye Dropper Tool. The background color, I want it to be a slightly darker version, right? I’m going to now hold down ‘Alt’ key on a PC, or ‘Option’ key on a Mac, and drag this second version.

But I want him to actually be the exact background color. So it’s not going to really fade out with opacity, that doesn’t work. We need to just match the background color. So next step is– I got them the right colors, but they need to be groups. So they’re all separate, so I need to go, you my friend, is a group. The other thing is that this guy needs to be at the front because it’s going to be heading backwards. At the moment he’s the second guy that got made.

 
 

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